Effective Term: | 2018/05 |
Institute / School : | Institute of Education, Arts & Community |
Unit Title: | Collaborative Workshop 4 (Production) |
Unit ID: | ACACW2004 |
Credit Points: | 15.00 |
Prerequisite(s): | (ACACW2003) |
Co-requisite(s): | Nil |
Exclusion(s): | Nil |
ASCED: | 100199 |
Other Change: | |
Brief description of the Unit |
Working with artist/facilitators/technicians, this intermediary course is designed as a one-week intensive, exploratory workshop in which students will continue to explore processes of production, design and technical innovation through interdisciplinary creative practices that may include combinations of generative writing, performance, visual art, movement, digital art, small screen technologies, video and music and sound production.
Focussing on design and production processes, that include old and new technologies of art making, students will be asked to consider relationship to space and place, to the environment and each other and how that might be expressed through collaborative creative practice. Students will engage in a range of creative activities to activate their potential as artists and critical thinkers and to experience a collaborative production and design process in action. |
Grade Scheme: | Graded (HD, D, C, P, MF, F, XF) |
Work Experience Indicator: |
Placement Component: No |
Supplementary Assessment: |
Where supplementary assessment is available a student must have failed overall in the Unit but gained a final mark of 45 per cent or above, has completed all major assessment tasks (including all sub-components where a task has multiple parts) as specified in the Unit Description and is not eligible for any other form of supplementary assessment |
Course Level: |
Level of Unit in Course | AQF Level(s) of Course | 5 | 6 | 7 | 8 | 9 | 10 | Introductory | | | | | | | Intermediate | | |  | | | | Advanced | | | | | | |
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Learning Outcomes: |
Knowledge: |
K1. | Further develop notions of creative identity in practical settings |
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K2. | Build dramaturgies and practical methods of creating a collaborative work in practice |
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K3. | Outline an overview of the elements, dynamics and timelines around collaborative creative process in relation to provocations of place, community and social engagement |
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K4. | Identify the relationship between individual creativity and teamwork within a collaborative process |
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K5. | Develop creative models of art practice and provide examples of best practice from practitioners in Australia and internationally |
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K6. | Build capacity to critically appraise artworks and creative work in context. |
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Skills: |
S1. | Question and shape individual creative identity and leadership capacities |
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S2. | Appraise creative processes and strategies for application in your individual projects |
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S3. | Identify and apply basic elements of project management in cultural production |
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S4. | Reflect on project-in-progress work and provide appropriate critical response to peers |
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S5. | Work with group dynamics individually and in teams to serve a shared created goal. |
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Application of knowledge and skills: |
A1. | Show awareness of body in relationship to site, space and environment |
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A2. | Demonstrate awareness of group dynamics and processes |
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A3. | Articulate ideas as they emerge from the creative process |
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A4. | Extrapolate ideas through a artistic expression and allied scholarly forms |
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A5. | Maximise and connect skills sets through collaborative use of shared skills |
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A6. | Build interdisciplinary relationships within the group and collaborative process to create an event or production |
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A7. | Research and reflect on own and others creative process. |
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Unit Content: |
Topics may include: |
1. | Further iterations of technological and production processes in interdisciplinary creative practices that may include combinations of generative writing, performance, visual art, movement, digital art, video and music and sound production |
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2. | Design thinking and application |
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3. | Page to gallery/site/environment exercise: task to model design, production management and technical processes including sound, lighting, digital technologies |
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4. | Specific creative responses to provocations, such as site, materials, body, and environment/ecology |
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5. | Sustainability contexts of technologies and processes of art making |
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6. | Studio practice and theory that asks students to consider philosophies and practices of artists at work, in community, society, education and for artistic expression and personal development. |
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Graduate Attributes: |
graduate attributes statement. To have graduates with knowledge, skills and competence that enable them to stand out as critical, creative and enquiring learners who are capable, flexible and work ready, and responsible, ethical and engaged citizens. |
Attribute | Brief Description | Focus | Knowledge, skills and competence | Students reflect critically on their own and others creative outputs and are developing an understanding of creative processes. | Medium | Critical, creative and enquiring learners | Students show a focused work ethic, identifying abilities to think and reason clearly, coherently and creatively. Students critically reflect on the effectiveness of their decisions within the collaborative creative process. | Medium | Capable, flexible and work ready | Students exhibit confidence in applying strategies for collaborating with other students, teachers and guest artists. | High | Responsible, ethical and engaged citizens | Students demonstrate cultural sensitivity to their own and other’s history and social forces by displaying a commitment to ethical action, interpersonal respect and social responsibility. | Medium | |
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| Learning Outcomes Assessed | Assessment Tasks | Assessment Type | Weighting | 1. | K1, S1, S3, A6 | Participation and engagement | Workshop engagement and participation | 5-10% | 2. | K1, K3, K4, K5, S3, S4 | Ability to undertake creative exploration of production and design processes and to reflect upon this | Folio or e-portfolio | 30-40% | 3. | K2, S1, S3, S5, A1, A2, A5 | Ability to produce a creative outcome and to demonstrate this to the group | Practice based class performance/creative exercise | 30-40% | 4. | K6, S2, A4, A7 | Research into a specific artists practice and relate this to own aesthetic practice | Essay | 20-30% |
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